Kothe Kharak Singh by Ram Sarup Ankhi (1987)

From fields to fates, a village’s saga unfolds! Ram Sarup Ankhi’s Kothe Kharak Singh is a Sahitya Akademi gem, capturing Punjab’s heart across generations. A must-read! 🔥 Explore our review at Chaifry.org!

SAHITYA AKADEMI AWARD-PUNJABI

Chaifry

5/19/20254 min read

Ram Sarup Ankhi (1932–2010), a prolific Punjabi writer born in Dhaula, Sangrur district, Punjab, is celebrated for his vivid portrayals of rural life, earning the Sahitya Akademi Award in 1987 for his magnum opus, Kothe Kharak Singh: A Story of Three Generations (1985). Initially a poet, Ankhi transitioned to fiction, producing ten short story collections, six novels, and five poetry volumes, with Kothe Kharak Singh widely regarded as his finest work. This epic novel, spanning three generations, captures the socio-cultural, political, and economic transformations in rural Punjab from the 1940s to the late 1970s. Influenced by Russian literature’s expansive narratives, it weaves a rich tapestry of village life. This review argues that Kothe Kharak Singh is a monumental achievement in Punjabi literature, distinguished by its panoramic scope and authentic depiction of Punjab’s rural ethos, though its sprawling cast and dense cultural references may challenge some readers. Through an analysis of its narrative depth and cultural resonance, this review highlights Ankhi’s enduring contribution to Indian fiction.

Kothe Kharak Singh chronicles the lives of three generations in a Punjabi village, tracing the interplay of personal struggles and societal shifts from pre-independence India to the post-Emergency era, culminating in Indira Gandhi’s return to power. The novel, divided into four parts, explores themes of debt cycles, corruption, the erosion of human values, and the politicization of religion, set against the backdrop of Punjab’s agrarian culture. Characters like Ginder, Harnami, Arjan, Nand Kaur, Pushpinder, and Hardit Singh navigate love, sacrifice, and betrayal amidst socio-political upheavals. Ankhi writes:

       “The village breathes through its fields, but debts choke its heart.”

This reflects the crippling debt cycle tied to extravagant social customs. Another poignant line captures political intrusion:

       “Politics crept into our gurdwaras, and faith became a pawn.”

The novel also addresses women’s conditions, as seen in:

       “Her silence was louder than the village’s clamor, yet none heard.”

A fourth quote highlights generational shifts:

       “The old plow breaks, but the new one carves no deeper.”

These quotes underscore Ankhi’s focus on systemic issues—corruption in government and religious institutions, gender inequities, and cultural erosion—while depicting a range of human experiences, from lust to ideological sacrifice. The narrative, rich with Punjab’s rural imagery—wheat fields, village wells, and communal gatherings—culminates in Pushpinder’s rise as a professor, symbolizing resilience amid tragedy, such as Hardit’s violent act against Naseeb over a forbidden relationship.

Kothe Kharak Singh is a literary colossus, radiating with Ankhi’s ability to weave a multi-generational saga that mirrors Punjab’s socio-cultural evolution. His prose, steeped in Punjabi’s earthy idioms, captures the sensory vibrancy of rural life, as seen in: “The mustard fields swayed like a golden sea, hiding the farmer’s silent despair.” This vivid imagery, praised on Goodreads for its “vivid imprint on the reader’s imagination,” grounds the novel’s expansive themes in tangible reality. Ankhi’s Russian literary influences, noted on Wikipedia, lend the novel a Tolstoyan scope, with its sprawling cast and intricate interplay of personal and political narratives. The novel’s critique of systemic corruption—evident in scenes of bribe-taking officials and manipulative religious leaders—aligns with the social-realist tradition of Punjabi literature, akin to Gurdial Singh’s works. Its Sahitya Akademi recognition for its “comprehensive portrayal of social changes” underscores its historical and literary significance.

The novel’s strengths lie in its panoramic scope and cultural authenticity. Ankhi’s depiction of rural Punjab’s lifecycle—marriages, deaths, and festivals—offers a granular view of its ethos, resonating with readers who value its “knowledgeable” portrayal of 1960s–80s village life, as noted in Amazon reviews. The diverse characters, from the tragic Pushpinder to the volatile Hardit, embody a spectrum of human virtues and vices, enriching the narrative’s emotional depth. The novel’s exploration of women’s lives, though not feminist in focus, adds nuance, particularly in Nand Kaur’s stoic endurance, reflecting the gendered struggles of the era. Its translation into ten languages attests to its universal appeal, bridging regional specificity with broader human concerns.

However, Kothe Kharak Singh has limitations. Its sprawling cast—featuring dozens of characters like Charandas, Jeeto, and Mukandi—can overwhelm readers, as the narrative occasionally sacrifices depth for breadth, a critique echoed in Goodreads reviews noting its complexity. The dense cultural references, such as Punjab’s debt-driven customs or post-Partition politics, require contextual knowledge, potentially alienating non-Punjabi readers. For instance, the significance of a gurdwara’s politicization may elude those unfamiliar with Sikh history. The novel’s length, described as taking “five days to complete” by a reader, may deter casual audiences, and its traditional narrative style lacks the experimental flair of contemporaries like Narenderpal Singh. The scarcity of accessible English translations, despite its multilingual reach, limits global engagement, a common challenge for Punjabi literature. Additionally, while women’s conditions are addressed, the male-centric narrative offers limited feminist insight compared to Ajeet Cour’s works.

Kothe Kharak Singh is a towering achievement in Punjabi literature, showcasing Ram Sarup Ankhi’s mastery of the epic novel form and his unflinching portrayal of rural Punjab’s socio-cultural transformations. Its vivid imagery, expansive scope, and authentic voice make it a vital work, though its complex cast, cultural specificity, and length may demand patience and context. This novel is essential for readers of Punjabi literature, social-realist fiction, and South Asian studies, offering a profound exploration of human struggles amidst systemic decay. Readers are encouraged to approach it with an openness to Punjab’s historical and cultural nuances to fully savor its resonance. Its Sahitya Akademi Award and translation into ten languages affirm its enduring legacy, cementing Ankhi’s place as a literary luminary.


Recommendation: Highly recommended for readers of epic fiction, Punjabi literature, and socio-political narratives.

Reference: Ankhi, R. S. (1985). Kothe Kharak Singh. Ludhiana: Lahore Book Shop.